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	<title>performance Archives - JANET TORO</title>
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		<title>Elegy for a Disaster</title>
		<link>https://janet-toro.com/elegy-for-a-disaster/</link>
		
		<dc:creator><![CDATA[sven]]></dc:creator>
		<pubDate>Wed, 03 Sep 2025 20:31:04 +0000</pubDate>
				<category><![CDATA[performance]]></category>
		<guid isPermaLink="false">https://janet-toro.com/?p=7131</guid>

					<description><![CDATA[<p>Part I This performance is an exhortation, a cry in the face of the extermination of infants, babies, and children, a wake-up call, a prayer in the face of the Zionist genocide against the Palestinian people. In the desert landscape of the installation Requiem ad Calamitatem, I will prostrate myself on the salt, in silence. [&#8230;]</p>
<p>The post <a href="https://janet-toro.com/elegy-for-a-disaster/">Elegy for a Disaster</a> appeared first on <a href="https://janet-toro.com">JANET TORO</a>.</p>
]]></description>
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	<h4>Part I</h4>
<p>This performance is an exhortation, a cry in the face of the extermination of infants, babies, and children, a wake-up call, a prayer in the face of the Zionist genocide against the Palestinian people. In the desert landscape of the installation Requiem ad Calamitatem, I will prostrate myself on the salt, in silence. Later, I take papers wrapped in gauze from my belly—photocopies of infants—which I then place on the salt, which will also cover those faces terrorized by bombs and catastrophe.</p>
<h4>Part II</h4>
<p>As we leave the rotunda, many people follow me to the second floor, forming a procession. On the balcony of the museum's central hall, we display baby clothes and words alluding to genocide, such as: GENOCIDE, EXTERMINATION, HUNGER, THIRST, AGONY, ABANDONMENT, MASSACRE DISASTER, SADNESS, BITTERNESS, PAIN, DESTRUCTION, RUBBLE SEGREGATION, MASSACRE, COLONIALISM, INHUMANITY, CRUELTY, INJUSTICE, etc. Finally, we go down to the hall to meet the public.</p>
<p>&nbsp;</p>
<h4>Listado de participantes:</h4>
<p>Cam Castro, Catalina Carvajal, Fernanda Martínez, Josefa Román, Renata Araus, Joselyne Contreras, Javiera Saavedra, Sakin Orellana, Macarena Hidalgo, Daniela Berger, Javiera Roman, Catalina Aguila, Norma Tapia, Javiera San Martìn, Claudia Gutièrrez, Sunai Catepillan, Noemì Ceballos, Antonia Donoso, Francisca Fuentes, Florencia Svideski, Reno Mondaca, Aníbal López, Jacinta Errazuriz, Sebastián Reyes, Dani Vásquez, Anastasia Gasc, Fernanda Quintanilla, Bernardita Neira, Ari Morales, Cynthia Bustos, Ken Montenegro, Francisco Barnet, Sofìa Valenzuela, Sofìa Caldentey, Aracelli Tello, Miguel Lecaros, Marta Cruz, Jacqueline Martìnez, Isidora Garrido, Julia Carrasco, Eva Díaz, Valentina Borcoski, María Fernanda Toro, Guillermo Silva, Mane Adaro, Francis Asafram, Cathy Paiva, Yulissa Yanez, Catherine Moya, Paulina Acevedo, Andrea Verdugo, Melany Erazo, Ama Sepúlveda, Francisca Zuñiga, Beatriz Pèrez, Carla Gonzalez, Raquel Amar, Valentina Dìaz</p>
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</div><p>The post <a href="https://janet-toro.com/elegy-for-a-disaster/">Elegy for a Disaster</a> appeared first on <a href="https://janet-toro.com">JANET TORO</a>.</p>
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		<item>
		<title>Absence / Presence</title>
		<link>https://janet-toro.com/absence-presence/</link>
		
		<dc:creator><![CDATA[sven]]></dc:creator>
		<pubDate>Wed, 20 Apr 2022 15:22:20 +0000</pubDate>
				<category><![CDATA[news]]></category>
		<category><![CDATA[performance]]></category>
		<category><![CDATA[work]]></category>
		<guid isPermaLink="false">https://janet-toro.com/absence-presence/</guid>

					<description><![CDATA[<p>With the cooperation of: Lucrecia Brito Vásquez, Kelly Echiburú, Lorena Estivales Arratia, Paula Fuica Holzapfel, Alejandra Holzapfel Picarte, Vanessa Marimón Fuentes, Amelia Negrón, María Isabel Ortega Fuentes, Pilar Quintanilla Venegas I intervene in the external museum space with an installation, exactly in the place of the stones, in the tray at the entrance of the [&#8230;]</p>
<p>The post <a href="https://janet-toro.com/absence-presence/">Absence / Presence</a> appeared first on <a href="https://janet-toro.com">JANET TORO</a>.</p>
]]></description>
										<content:encoded><![CDATA[<div class="fl-builder-content fl-builder-content-6178 fl-builder-content-primary fl-builder-global-templates-locked" data-post-id="6178">
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<p>With the cooperation of: Lucrecia Brito Vásquez, Kelly Echiburú, Lorena Estivales Arratia, Paula Fuica Holzapfel, Alejandra Holzapfel Picarte, Vanessa Marimón Fuentes, Amelia Negrón, María Isabel Ortega Fuentes, Pilar Quintanilla Venegas</p>
<p>I intervene in the external museum space with an installation, exactly in the place of the stones, in the tray at the entrance of the Museum, with large, empty, black chairs that allude to the absence of so many murdered, tortured and disappeared women.<br />
This installation remains on display throughout the exhibition until August, as a remnant of absence and a silent testimony of stories, where impunity is constant.</p>
<p>The uninhabited chairs are related to a performance, which was held on April 14, on the esplanade of the Museum. The uninhabited chairs are related to a performance, which was held on April 14, on the esplanade of the Museum. I invited women who were former political prisoners, tortured and violated, to act with me in the museum and on public streets, to express their stories of pain and resistance, achieving a synthesis, which came together in a specific word for each one.</p>
<p>It is an introspective dialogue, the absence and the presence in tension. I propose a sensitive space for meeting and reflection.</p>
<p>Press and communication: César Baeza<br />
Video documentation: Sven Hahne<br />
Photographic Documentation: Marucela Ramírez and Marcela Araya</p>
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<p>The post <a href="https://janet-toro.com/absence-presence/">Absence / Presence</a> appeared first on <a href="https://janet-toro.com">JANET TORO</a>.</p>
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		<title>Mutismo</title>
		<link>https://janet-toro.com/mutismo/</link>
		
		<dc:creator><![CDATA[entronauten]]></dc:creator>
		<pubDate>Mon, 14 Sep 2020 11:30:46 +0000</pubDate>
				<category><![CDATA[performance]]></category>
		<guid isPermaLink="false">http://janet-toro.com/mutismo/</guid>

					<description><![CDATA[<p>In my own house, Santiago, Chile, abril 2020 Documentation: Marucela Ramírez Distance and social isolation in times of pandemic Janet Toro, April 20 The distance between us is the paralyzed caress, the warmth and the affections banished to a classified dangerous area. Abusive states of exception, quarantines, curfews are the urban landscape, I see uncrowded [&#8230;]</p>
<p>The post <a href="https://janet-toro.com/mutismo/">Mutismo</a> appeared first on <a href="https://janet-toro.com">JANET TORO</a>.</p>
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	<p><strong>In my own house, Santiago, Chile, abril 2020</strong></p>
<p><em>Documentation: Marucela Ramírez</em></p>
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	<h3>Distance and social isolation in times of pandemic<br />
Janet Toro, April 20</h3>
<p>The distance between us is the paralyzed caress, the warmth and the affections banished to a classified dangerous area. Abusive states of exception, quarantines, curfews are the urban landscape, I see uncrowded streets, bars, closed windows, padlocks, hermetic doors ... The sense of contained smell evolves, laminated hands and washed to excess, the approaches and sexuality pathologized in its immediacy and its secretions. Asepsis celebrated as the kingdom of heaven, in the promised land of capital.</p>
<p>The distance between us is the sterilized gesture, the acrylic mask, the suspicious expression that notices much more contagion than the beautiful energy of a hug and the unexpected vigor of a kiss ...</p>
<p>The emotional withdrawal is the covered mouth, the sanitized lips, the deformed words through the masks. A redundantly viral language is insisted, that confines other urgent problems to oblivion.</p>
<p>Distance and social isolation are the disinfecting and militarizing Super-Control, which is projected on the retinas, because it invaded minds and spirits a while ago.<br />
Social distance is the perfect hierarchy between those who are being watched and the guards, under the power of biopolitics and digital stalking, with drones, with hot air balloons, with cameras, with facial recognition applications, etc.</p>
<p>Social isolation is the denial of fundamental rights in the necropolitical, graveyard and collective psychosis in the face of a pandemic, which is far less lethal than social injustices, the effects of greed and corrupt power worldwide. The deprived, the vulnerable, those who for decades have lived in precariousness, are slowly exterminated, on the firing line of contempt and calculation.</p>
<p>Distance and social isolation are the prelude to neocolonization in the domain of Hyper-telereality over-talked in social networks, in online transmissions of incessant information, an exchange of personal complacencies, egos and various events, finally a substitute digital communication, now "essential", but insufficient. The emptiness crosses those mathematical codes, the coldness follows its route towards the bodies, which are blurred in the virtual border mask ... In the swing of the hundreds of messages, we become hopelessly text!</p>
<p>Distance is the fear that authoritarian propaganda instills in order to discipline bodies and direct them to a regulated reality, to the restricted square meter of well-structured roles, to the measure of a patriarchal and harmful model that decides for us, we, us. A model that arbitrarily delimits the public space and all its fundamental manifestations. A model that does not allow us to breathe clean air, nor does it allow us to drink pure water, which privatizes everything within its reach, undermining the ecosystem, stifling the possibilities of having a dignified and diverse life, in all its areas.</p>
<p>Social isolation is the horror of death, delusionally spread by the media, a press enraptured by the infectious, which omits the inexhaustible gradations of life and the wonderful capacity for healing that we possess. The issue is from where we speak and where we place the accent, you cannot be alone in contagion, confinement and corpses! Memento Vivere, remember to live ... remember to cross your own limits.</p>
<p>The distance between us is how we relate to a mutant virus, to a possible disease, to latent death. The answer is not in the big drug consortia as if they were redeemers on the planet.</p>
<p>Social isolation is paranoid propaganda, it is the opportunistic regulation and management of bodily territories, it is the abrupt forced separation, the domestic exile of feelings, in the great contemporary global prison.<br />
The distance between us is pain denied, it is the occlusion of the heart, because its cadences have no place in a mercantile model where profit as a peak and as a practice, excludes the amazing intelligence of goodness.</p>
<p>The nostalgia of the bodies, of the affections, oscillate in limbo.</p>
<p><em>Translation Kelly Echiburú</em></p>
<p><em><strong>*Biopolitics:</strong> concept developed by the philosopher Michel Foucault</em><br />
<em><strong>*Necropolitics:</strong> term proposed by the Cameroonian historian and philosopher Achilles Mbembe</em></p>
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</div><p>The post <a href="https://janet-toro.com/mutismo/">Mutismo</a> appeared first on <a href="https://janet-toro.com">JANET TORO</a>.</p>
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		<title>El pan vigilado</title>
		<link>https://janet-toro.com/el-pan-vigilado/</link>
		
		<dc:creator><![CDATA[entronauten]]></dc:creator>
		<pubDate>Mon, 14 Sep 2020 10:52:15 +0000</pubDate>
				<category><![CDATA[performance]]></category>
		<guid isPermaLink="false">http://janet-toro.com/el-pan-vigilado/</guid>

					<description><![CDATA[<p>In my house Santiago, Chile, april 2020 Documentation: Marucela Ramírez Distance and social isolation in times of pandemic Janet Toro, April 20 The distance between us is the paralyzed caress, the warmth and the affections banished to a classified dangerous area. Abusive states of exception, quarantines, curfews are the urban landscape, I see uncrowded streets, [&#8230;]</p>
<p>The post <a href="https://janet-toro.com/el-pan-vigilado/">El pan vigilado</a> appeared first on <a href="https://janet-toro.com">JANET TORO</a>.</p>
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	<p><strong>In my house Santiago, Chile, april 2020</strong><br />
<em>Documentation: Marucela Ramírez</em></p>
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	<h3>Distance and social isolation in times of pandemic<br />
Janet Toro, April 20</h3>
<p>The distance between us is the paralyzed caress, the warmth and the affections banished to a classified dangerous area. Abusive states of exception, quarantines, curfews are the urban landscape, I see uncrowded streets, bars, closed windows, padlocks, hermetic doors ... The sense of contained smell evolves, laminated hands and washed to excess, the approaches and sexuality pathologized in its immediacy and its secretions. Asepsis celebrated as the kingdom of heaven, in the promised land of capital.</p>
<p>The distance between us is the sterilized gesture, the acrylic mask, the suspicious expression that notices much more contagion than the beautiful energy of a hug and the unexpected vigor of a kiss ...</p>
<p>The emotional withdrawal is the covered mouth, the sanitized lips, the deformed words through the masks. A redundantly viral language is insisted, that confines other urgent problems to oblivion.</p>
<p>Distance and social isolation are the disinfecting and militarizing Super-Control, which is projected on the retinas, because it invaded minds and spirits a while ago.<br />
Social distance is the perfect hierarchy between those who are being watched and the guards, under the power of biopolitics and digital stalking, with drones, with hot air balloons, with cameras, with facial recognition applications, etc.</p>
<p>Social isolation is the denial of fundamental rights in the necropolitical, graveyard and collective psychosis in the face of a pandemic, which is far less lethal than social injustices, the effects of greed and corrupt power worldwide. The deprived, the vulnerable, those who for decades have lived in precariousness, are slowly exterminated, on the firing line of contempt and calculation.</p>
<p>Distance and social isolation are the prelude to neocolonization in the domain of Hyper-telereality over-talked in social networks, in online transmissions of incessant information, an exchange of personal complacencies, egos and various events, finally a substitute digital communication, now "essential", but insufficient. The emptiness crosses those mathematical codes, the coldness follows its route towards the bodies, which are blurred in the virtual border mask ... In the swing of the hundreds of messages, we become hopelessly text!</p>
<p>Distance is the fear that authoritarian propaganda instills in order to discipline bodies and direct them to a regulated reality, to the restricted square meter of well-structured roles, to the measure of a patriarchal and harmful model that decides for us, we, us. A model that arbitrarily delimits the public space and all its fundamental manifestations. A model that does not allow us to breathe clean air, nor does it allow us to drink pure water, which privatizes everything within its reach, undermining the ecosystem, stifling the possibilities of having a dignified and diverse life, in all its areas.</p>
<p>Social isolation is the horror of death, delusionally spread by the media, a press enraptured by the infectious, which omits the inexhaustible gradations of life and the wonderful capacity for healing that we possess. The issue is from where we speak and where we place the accent, you cannot be alone in contagion, confinement and corpses! Memento Vivere, remember to live ... remember to cross your own limits.</p>
<p>The distance between us is how we relate to a mutant virus, to a possible disease, to latent death. The answer is not in the big drug consortia as if they were redeemers on the planet.</p>
<p>Social isolation is paranoid propaganda, it is the opportunistic regulation and management of bodily territories, it is the abrupt forced separation, the domestic exile of feelings, in the great contemporary global prison.<br />
The distance between us is pain denied, it is the occlusion of the heart, because its cadences have no place in a mercantile model where profit as a peak and as a practice, excludes the amazing intelligence of goodness.</p>
<p>The nostalgia of the bodies, of the affections, oscillate in limbo.</p>
<p><em>Translation Kelly Echiburú</em></p>
<p><em><strong>*Biopolitics:</strong> concept developed by the philosopher Michel Foucault</em><br />
<em><strong>*Necropolitics:</strong> term proposed by the Cameroonian historian and philosopher Achilles Mbembe</em></p>
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</div><p>The post <a href="https://janet-toro.com/el-pan-vigilado/">El pan vigilado</a> appeared first on <a href="https://janet-toro.com">JANET TORO</a>.</p>
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		<title>La flor negra. El encierro.</title>
		<link>https://janet-toro.com/la-flor-negra-el-encierro/</link>
		
		<dc:creator><![CDATA[entronauten]]></dc:creator>
		<pubDate>Mon, 14 Sep 2020 10:33:35 +0000</pubDate>
				<category><![CDATA[performance]]></category>
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					<description><![CDATA[<p>En mi propia casa, Santiago, Chile, abril 2020 Documentación fotográfica: Marucela Ramírez Distance and social isolation in times of pandemic Janet Toro, April 20 The distance between us is the paralyzed caress, the warmth and the affections banished to a classified dangerous area. Abusive states of exception, quarantines, curfews are the urban landscape, I see [&#8230;]</p>
<p>The post <a href="https://janet-toro.com/la-flor-negra-el-encierro/">La flor negra. El encierro.</a> appeared first on <a href="https://janet-toro.com">JANET TORO</a>.</p>
]]></description>
										<content:encoded><![CDATA[<div class="fl-builder-content fl-builder-content-5678 fl-builder-content-primary fl-builder-global-templates-locked" data-post-id="5678"><div class="fl-row fl-row-fixed-width fl-row-bg-none fl-node-5f5f43639cbea fl-row-default-height fl-row-align-center" data-node="5f5f43639cbea">
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	<p><strong>En mi propia casa, Santiago, Chile, abril 2020</strong><br />
<em>Documentación fotográfica: Marucela Ramírez</em></p>
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	<h3>Distance and social isolation in times of pandemic<br />
Janet Toro, April 20</h3>
<p>The distance between us is the paralyzed caress, the warmth and the affections banished to a classified dangerous area. Abusive states of exception, quarantines, curfews are the urban landscape, I see uncrowded streets, bars, closed windows, padlocks, hermetic doors ... The sense of contained smell evolves, laminated hands and washed to excess, the approaches and sexuality pathologized in its immediacy and its secretions. Asepsis celebrated as the kingdom of heaven, in the promised land of capital.</p>
<p>The distance between us is the sterilized gesture, the acrylic mask, the suspicious expression that notices much more contagion than the beautiful energy of a hug and the unexpected vigor of a kiss ...</p>
<p>The emotional withdrawal is the covered mouth, the sanitized lips, the deformed words through the masks. A redundantly viral language is insisted, that confines other urgent problems to oblivion.</p>
<p>Distance and social isolation are the disinfecting and militarizing Super-Control, which is projected on the retinas, because it invaded minds and spirits a while ago.<br />
Social distance is the perfect hierarchy between those who are being watched and the guards, under the power of biopolitics and digital stalking, with drones, with hot air balloons, with cameras, with facial recognition applications, etc.</p>
<p>Social isolation is the denial of fundamental rights in the necropolitical, graveyard and collective psychosis in the face of a pandemic, which is far less lethal than social injustices, the effects of greed and corrupt power worldwide. The deprived, the vulnerable, those who for decades have lived in precariousness, are slowly exterminated, on the firing line of contempt and calculation.</p>
<p>Distance and social isolation are the prelude to neocolonization in the domain of Hyper-telereality over-talked in social networks, in online transmissions of incessant information, an exchange of personal complacencies, egos and various events, finally a substitute digital communication, now "essential", but insufficient. The emptiness crosses those mathematical codes, the coldness follows its route towards the bodies, which are blurred in the virtual border mask ... In the swing of the hundreds of messages, we become hopelessly text!</p>
<p>Distance is the fear that authoritarian propaganda instills in order to discipline bodies and direct them to a regulated reality, to the restricted square meter of well-structured roles, to the measure of a patriarchal and harmful model that decides for us, we, us. A model that arbitrarily delimits the public space and all its fundamental manifestations. A model that does not allow us to breathe clean air, nor does it allow us to drink pure water, which privatizes everything within its reach, undermining the ecosystem, stifling the possibilities of having a dignified and diverse life, in all its areas.</p>
<p>Social isolation is the horror of death, delusionally spread by the media, a press enraptured by the infectious, which omits the inexhaustible gradations of life and the wonderful capacity for healing that we possess. The issue is from where we speak and where we place the accent, you cannot be alone in contagion, confinement and corpses! Memento Vivere, remember to live ... remember to cross your own limits.</p>
<p>The distance between us is how we relate to a mutant virus, to a possible disease, to latent death. The answer is not in the big drug consortia as if they were redeemers on the planet.</p>
<p>Social isolation is paranoid propaganda, it is the opportunistic regulation and management of bodily territories, it is the abrupt forced separation, the domestic exile of feelings, in the great contemporary global prison.<br />
The distance between us is pain denied, it is the occlusion of the heart, because its cadences have no place in a mercantile model where profit as a peak and as a practice, excludes the amazing intelligence of goodness.</p>
<p>The nostalgia of the bodies, of the affections, oscillate in limbo.</p>
<p><em>Translation Kelly Echiburú</em></p>
<p><em><strong>*Biopolitics:</strong> concept developed by the philosopher Michel Foucault</em><br />
<em><strong>*Necropolitics:</strong> term proposed by the Cameroonian historian and philosopher Achilles Mbembe</em></p>
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</div><p>The post <a href="https://janet-toro.com/la-flor-negra-el-encierro/">La flor negra. El encierro.</a> appeared first on <a href="https://janet-toro.com">JANET TORO</a>.</p>
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		<title>La bandera en los tiempos de la indignación (performance 1)</title>
		<link>https://janet-toro.com/la-bandera-en-los-tiempos-de-la-indignacion-performance-1/</link>
		
		<dc:creator><![CDATA[sven]]></dc:creator>
		<pubDate>Sat, 28 Dec 2019 17:23:10 +0000</pubDate>
				<category><![CDATA[performance]]></category>
		<category><![CDATA[work]]></category>
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					<description><![CDATA[<p>The post <a href="https://janet-toro.com/la-bandera-en-los-tiempos-de-la-indignacion-performance-1/">La bandera en los tiempos de la indignación (performance 1)</a> appeared first on <a href="https://janet-toro.com">JANET TORO</a>.</p>
]]></description>
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			<div role="figure" class="fl-photo fl-photo-align-center" itemscope itemtype="https://schema.org/ImageObject">
	<div class="fl-photo-content fl-photo-img-jpg">
				<a href="https://janet-toro.com/wp-content/uploads/La-bandera-Janet-Toro-1-1024x678.jpg"  target="_self" itemprop="url">
				<img decoding="async" width="1024" height="678" class="fl-photo-img wp-image-5585" src="https://janet-toro.com/wp-content/uploads/La-bandera-Janet-Toro-1-1024x678.jpg" alt="La bandera Janet Toro 1" title="La bandera Janet Toro 1" loading="lazy" itemprop="image" srcset="https://janet-toro.com/wp-content/uploads/La-bandera-Janet-Toro-1-1024x678.jpg 1024w, https://janet-toro.com/wp-content/uploads/La-bandera-Janet-Toro-1-300x199.jpg 300w, https://janet-toro.com/wp-content/uploads/La-bandera-Janet-Toro-1-768x509.jpg 768w, https://janet-toro.com/wp-content/uploads/La-bandera-Janet-Toro-1-1536x1018.jpg 1536w, https://janet-toro.com/wp-content/uploads/La-bandera-Janet-Toro-1.jpg 2000w" sizes="auto, (max-width: 1024px) 100vw, 1024px" />
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				<a href="https://janet-toro.com/wp-content/uploads/La-bandera-Janet-Toro-2-1024x678.jpg"  target="_self" itemprop="url">
				<img decoding="async" width="1024" height="678" class="fl-photo-img wp-image-5588" src="https://janet-toro.com/wp-content/uploads/La-bandera-Janet-Toro-2-1024x678.jpg" alt="La bandera Janet Toro 2" title="La bandera Janet Toro 2" loading="lazy" itemprop="image" srcset="https://janet-toro.com/wp-content/uploads/La-bandera-Janet-Toro-2-1024x678.jpg 1024w, https://janet-toro.com/wp-content/uploads/La-bandera-Janet-Toro-2-300x199.jpg 300w, https://janet-toro.com/wp-content/uploads/La-bandera-Janet-Toro-2-768x509.jpg 768w, https://janet-toro.com/wp-content/uploads/La-bandera-Janet-Toro-2-1536x1018.jpg 1536w, https://janet-toro.com/wp-content/uploads/La-bandera-Janet-Toro-2.jpg 2000w" sizes="auto, (max-width: 1024px) 100vw, 1024px" />
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				<div class="fl-mosaicflow-item">
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				<a href="https://janet-toro.com/wp-content/uploads/La-Bandera-Janet-Toro-3-1024x678.jpg"  target="_self" itemprop="url">
				<img decoding="async" width="1024" height="678" class="fl-photo-img wp-image-5591" src="https://janet-toro.com/wp-content/uploads/La-Bandera-Janet-Toro-3-1024x678.jpg" alt="La Bandera Janet Toro 3" title="La Bandera Janet Toro 3" loading="lazy" itemprop="image" srcset="https://janet-toro.com/wp-content/uploads/La-Bandera-Janet-Toro-3-1024x678.jpg 1024w, https://janet-toro.com/wp-content/uploads/La-Bandera-Janet-Toro-3-300x199.jpg 300w, https://janet-toro.com/wp-content/uploads/La-Bandera-Janet-Toro-3-768x509.jpg 768w, https://janet-toro.com/wp-content/uploads/La-Bandera-Janet-Toro-3-1536x1018.jpg 1536w, https://janet-toro.com/wp-content/uploads/La-Bandera-Janet-Toro-3.jpg 2000w" sizes="auto, (max-width: 1024px) 100vw, 1024px" />
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				<a href="https://janet-toro.com/wp-content/uploads/La-bandera-Janet-Toro-4-1024x678.jpg"  target="_self" itemprop="url">
				<img decoding="async" width="1024" height="678" class="fl-photo-img wp-image-5594" src="https://janet-toro.com/wp-content/uploads/La-bandera-Janet-Toro-4-1024x678.jpg" alt="La bandera Janet Toro 4" title="La bandera Janet Toro 4" loading="lazy" itemprop="image" srcset="https://janet-toro.com/wp-content/uploads/La-bandera-Janet-Toro-4-1024x678.jpg 1024w, https://janet-toro.com/wp-content/uploads/La-bandera-Janet-Toro-4-300x199.jpg 300w, https://janet-toro.com/wp-content/uploads/La-bandera-Janet-Toro-4-768x509.jpg 768w, https://janet-toro.com/wp-content/uploads/La-bandera-Janet-Toro-4-1536x1018.jpg 1536w, https://janet-toro.com/wp-content/uploads/La-bandera-Janet-Toro-4.jpg 2000w" sizes="auto, (max-width: 1024px) 100vw, 1024px" />
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</div>
</div><p>The post <a href="https://janet-toro.com/la-bandera-en-los-tiempos-de-la-indignacion-performance-1/">La bandera en los tiempos de la indignación (performance 1)</a> appeared first on <a href="https://janet-toro.com">JANET TORO</a>.</p>
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		<title>La bandera en los tiempos de la indignación (performance 2)</title>
		<link>https://janet-toro.com/la-bandera-en-los-tiempos-de-la-indignacion-performance-2/</link>
		
		<dc:creator><![CDATA[sven]]></dc:creator>
		<pubDate>Sat, 28 Dec 2019 17:15:24 +0000</pubDate>
				<category><![CDATA[performance]]></category>
		<category><![CDATA[work]]></category>
		<guid isPermaLink="false">http://janet-toro.com/la-bandera-en-los-tiempos-de-la-indignacion-performance-2/</guid>

					<description><![CDATA[<p>The post <a href="https://janet-toro.com/la-bandera-en-los-tiempos-de-la-indignacion-performance-2/">La bandera en los tiempos de la indignación (performance 2)</a> appeared first on <a href="https://janet-toro.com">JANET TORO</a>.</p>
]]></description>
										<content:encoded><![CDATA[<div class="fl-builder-content fl-builder-content-5613 fl-builder-content-primary fl-builder-global-templates-locked" data-post-id="5613"><div class="fl-row fl-row-fixed-width fl-row-bg-none fl-node-5e078d5ba9f54 fl-row-default-height fl-row-align-center" data-node="5e078d5ba9f54">
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				<img decoding="async" width="1024" height="678" class="fl-photo-img wp-image-5597" src="https://janet-toro.com/wp-content/uploads/La-Bandera-exterior-Janet-Toro-1-1024x678.jpg" alt="La Bandera exterior Janet Toro 1" title="La Bandera exterior Janet Toro 1" loading="lazy" itemprop="image" srcset="https://janet-toro.com/wp-content/uploads/La-Bandera-exterior-Janet-Toro-1-1024x678.jpg 1024w, https://janet-toro.com/wp-content/uploads/La-Bandera-exterior-Janet-Toro-1-300x199.jpg 300w, https://janet-toro.com/wp-content/uploads/La-Bandera-exterior-Janet-Toro-1-768x509.jpg 768w, https://janet-toro.com/wp-content/uploads/La-Bandera-exterior-Janet-Toro-1-1536x1018.jpg 1536w, https://janet-toro.com/wp-content/uploads/La-Bandera-exterior-Janet-Toro-1.jpg 2000w" sizes="auto, (max-width: 1024px) 100vw, 1024px" />
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				<a href="https://janet-toro.com/wp-content/uploads/La-bandera-exterior-Janet-Toro-2-1024x678.jpg"  target="_self" itemprop="url">
				<img decoding="async" width="1024" height="678" class="fl-photo-img wp-image-5600" src="https://janet-toro.com/wp-content/uploads/La-bandera-exterior-Janet-Toro-2-1024x678.jpg" alt="La bandera exterior Janet Toro 2" title="La bandera exterior Janet Toro 2" loading="lazy" itemprop="image" srcset="https://janet-toro.com/wp-content/uploads/La-bandera-exterior-Janet-Toro-2-1024x678.jpg 1024w, https://janet-toro.com/wp-content/uploads/La-bandera-exterior-Janet-Toro-2-300x199.jpg 300w, https://janet-toro.com/wp-content/uploads/La-bandera-exterior-Janet-Toro-2-768x509.jpg 768w, https://janet-toro.com/wp-content/uploads/La-bandera-exterior-Janet-Toro-2-1536x1018.jpg 1536w, https://janet-toro.com/wp-content/uploads/La-bandera-exterior-Janet-Toro-2.jpg 2000w" sizes="auto, (max-width: 1024px) 100vw, 1024px" />
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				<a href="https://janet-toro.com/wp-content/uploads/La-bandera-exterior-Janet-Toro-3-1024x678.jpg"  target="_self" itemprop="url">
				<img decoding="async" width="1024" height="678" class="fl-photo-img wp-image-5603" src="https://janet-toro.com/wp-content/uploads/La-bandera-exterior-Janet-Toro-3-1024x678.jpg" alt="La bandera exterior Janet Toro 3" title="La bandera exterior Janet Toro 3" loading="lazy" itemprop="image" srcset="https://janet-toro.com/wp-content/uploads/La-bandera-exterior-Janet-Toro-3-1024x678.jpg 1024w, https://janet-toro.com/wp-content/uploads/La-bandera-exterior-Janet-Toro-3-300x199.jpg 300w, https://janet-toro.com/wp-content/uploads/La-bandera-exterior-Janet-Toro-3-768x509.jpg 768w, https://janet-toro.com/wp-content/uploads/La-bandera-exterior-Janet-Toro-3-1536x1018.jpg 1536w, https://janet-toro.com/wp-content/uploads/La-bandera-exterior-Janet-Toro-3.jpg 2000w" sizes="auto, (max-width: 1024px) 100vw, 1024px" />
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				<a href="https://janet-toro.com/wp-content/uploads/La-Bandera-exterior-Janet-Toro-4-1024x678.jpg"  target="_self" itemprop="url">
				<img decoding="async" width="1024" height="678" class="fl-photo-img wp-image-5606" src="https://janet-toro.com/wp-content/uploads/La-Bandera-exterior-Janet-Toro-4-1024x678.jpg" alt="La Bandera exterior Janet Toro 4" title="La Bandera exterior Janet Toro 4" loading="lazy" itemprop="image" srcset="https://janet-toro.com/wp-content/uploads/La-Bandera-exterior-Janet-Toro-4-1024x678.jpg 1024w, https://janet-toro.com/wp-content/uploads/La-Bandera-exterior-Janet-Toro-4-300x199.jpg 300w, https://janet-toro.com/wp-content/uploads/La-Bandera-exterior-Janet-Toro-4-768x509.jpg 768w, https://janet-toro.com/wp-content/uploads/La-Bandera-exterior-Janet-Toro-4-1536x1018.jpg 1536w, https://janet-toro.com/wp-content/uploads/La-Bandera-exterior-Janet-Toro-4.jpg 2000w" sizes="auto, (max-width: 1024px) 100vw, 1024px" />
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</div>
</div><p>The post <a href="https://janet-toro.com/la-bandera-en-los-tiempos-de-la-indignacion-performance-2/">La bandera en los tiempos de la indignación (performance 2)</a> appeared first on <a href="https://janet-toro.com">JANET TORO</a>.</p>
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		<title>Ama-gi</title>
		<link>https://janet-toro.com/ama-gi/</link>
		
		<dc:creator><![CDATA[sven]]></dc:creator>
		<pubDate>Sat, 25 May 2019 22:19:48 +0000</pubDate>
				<category><![CDATA[performance]]></category>
		<guid isPermaLink="false">http://janet-toro.com/?p=4013</guid>

					<description><![CDATA[<p>It is believed that the first symbol that represented the concept of freedom or liberation was written around 2300 BC. on a clay tablet, in Lagash, today Tell al-Hiba, in Iraq. It is the Sumerian word Ama-gi, which literally translated means "return to the mother". The inscription corresponds to the time when Urukagina assumed power [&#8230;]</p>
<p>The post <a href="https://janet-toro.com/ama-gi/">Ama-gi</a> appeared first on <a href="https://janet-toro.com">JANET TORO</a>.</p>
]]></description>
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	<p>It is believed that the first symbol that represented the concept of freedom or liberation was written around 2300 BC. on a clay tablet, in Lagash, today Tell al-Hiba, in Iraq. It is the Sumerian word Ama-gi, which literally translated means "return to the mother". The inscription corresponds to the time when Urukagina assumed power and initiated a reform that returned rights and freedoms to the citizenship, prohibiting both civil and ecclesiastical authorities from seizinging land and property, eliminating most of the state taxes.</p>
<p>I tear off the Ama-gi sign of the 1000 photocopies white / black, for 8 hours. The spectators only see me fuzzily, I am naked behind several layers of plastic. My hands and paper are projected onto another hanging plastic, in the adjoining room. Liberation as an act of returning to the origin, as an act of transforming the signs...</p>
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				<img decoding="async" width="2200" height="1650" class="fl-photo-img wp-image-4015" src="https://janet-toro.com/wp-content/uploads/Perf-Ama-gi-1.jpg" alt="Perf Ama-gi 1" title="Perf Ama-gi 1" loading="lazy" itemprop="image" />
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				<img decoding="async" width="2000" height="1500" class="fl-photo-img wp-image-5027" src="https://janet-toro.com/wp-content/uploads/Ama-gi-4-Janet-Toro.jpg" alt="Ama-gi 4 Janet Toro" title="Ama-gi 4 Janet Toro" loading="lazy" itemprop="image" />
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				<img decoding="async" width="2200" height="1650" class="fl-photo-img wp-image-4021" src="https://janet-toro.com/wp-content/uploads/Perf-Ama-gi-3.jpg" alt="Perf Ama-gi 3" title="Perf Ama-gi 3" loading="lazy" itemprop="image" />
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				<img decoding="async" width="3488" height="2432" class="fl-photo-img wp-image-4030" src="https://janet-toro.com/wp-content/uploads/Ama-gi-4.jpg" alt="Ama-gi 4" title="Ama-gi 4" loading="lazy" itemprop="image" />
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				<img decoding="async" width="3453" height="2402" class="fl-photo-img wp-image-4027" src="https://janet-toro.com/wp-content/uploads/Ama-gi-3.jpg" alt="Ama-gi 3" title="Ama-gi 3" loading="lazy" itemprop="image" />
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</div><p>The post <a href="https://janet-toro.com/ama-gi/">Ama-gi</a> appeared first on <a href="https://janet-toro.com">JANET TORO</a>.</p>
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		<title>Distopía</title>
		<link>https://janet-toro.com/distopia/</link>
		
		<dc:creator><![CDATA[sven]]></dc:creator>
		<pubDate>Sat, 25 May 2019 00:40:18 +0000</pubDate>
				<category><![CDATA[performance]]></category>
		<guid isPermaLink="false">http://janet-toro.com/distopia/</guid>

					<description><![CDATA[<p>In medicine it is a pathology. It is a negative utopia, where reality runs in terms antagonistic to those of an ideal society. They are closed or claustrophobic spaces. A dystopian scenario is performed, alluding to different spaces where this condition takes place. Inspired by the peep shows (the Miroteca), the pieces of domestic employees [&#8230;]</p>
<p>The post <a href="https://janet-toro.com/distopia/">Distopía</a> appeared first on <a href="https://janet-toro.com">JANET TORO</a>.</p>
]]></description>
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	<p>In medicine it is a pathology. It is a negative utopia, where reality runs in terms antagonistic to those of an ideal society. They are closed or claustrophobic spaces.<br />
A dystopian scenario is performed, alluding to different spaces where this condition takes place. Inspired by the peep shows (the Miroteca), the pieces of domestic employees (Nanas), the new architectural constructions and the dungeons.<br />
I'm locked for more than 7 hours in a small wooden cabin, located on the edge of the Museum and Cathedral Street. On the walls of the room there are 8 magic eyes, through which passers-by can look inwards, but I can not see out.</p>
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				<img decoding="async" width="2000" height="1333" class="fl-photo-img wp-image-4856" src="https://janet-toro.com/wp-content/uploads/Distopia_1.jpg" alt="Distopia_1" title="Distopia_1" loading="lazy" itemprop="image" />
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				<img decoding="async" width="1024" height="683" class="fl-photo-img wp-image-3744" src="https://janet-toro.com/wp-content/uploads/Perf-Distopía-1-1024x683.jpg" alt="Perf Distopía 1" title="Perf Distopía 1" loading="lazy" itemprop="image" srcset="https://janet-toro.com/wp-content/uploads/Perf-Distopía-1-1024x683.jpg 1024w, https://janet-toro.com/wp-content/uploads/Perf-Distopía-1-300x200.jpg 300w, https://janet-toro.com/wp-content/uploads/Perf-Distopía-1-768x512.jpg 768w" sizes="auto, (max-width: 1024px) 100vw, 1024px" />
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				<img decoding="async" width="1024" height="683" class="fl-photo-img wp-image-3747" src="https://janet-toro.com/wp-content/uploads/Perf-Distopía-2-1024x683.jpg" alt="Perf Distopía 2" title="Perf Distopía 2" loading="lazy" itemprop="image" srcset="https://janet-toro.com/wp-content/uploads/Perf-Distopía-2-1024x683.jpg 1024w, https://janet-toro.com/wp-content/uploads/Perf-Distopía-2-300x200.jpg 300w, https://janet-toro.com/wp-content/uploads/Perf-Distopía-2-768x512.jpg 768w" sizes="auto, (max-width: 1024px) 100vw, 1024px" />
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</div><p>The post <a href="https://janet-toro.com/distopia/">Distopía</a> appeared first on <a href="https://janet-toro.com">JANET TORO</a>.</p>
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		<title>La Tarjeta</title>
		<link>https://janet-toro.com/la-tarjeta/</link>
		
		<dc:creator><![CDATA[sven]]></dc:creator>
		<pubDate>Sat, 25 May 2019 00:25:46 +0000</pubDate>
				<category><![CDATA[performance]]></category>
		<guid isPermaLink="false">http://janet-toro.com/?p=3721</guid>

					<description><![CDATA[<p>After World War II several credit cards appeared. In the 50s Diners Club Card came out, which was accepted by several shops. And so the story continues until today. The word credit comes from the Latin verb credere (believe), we believe religiously in this card! The economic model and with it, the credit card and [&#8230;]</p>
<p>The post <a href="https://janet-toro.com/la-tarjeta/">La Tarjeta</a> appeared first on <a href="https://janet-toro.com">JANET TORO</a>.</p>
]]></description>
										<content:encoded><![CDATA[<div class="fl-builder-content fl-builder-content-3721 fl-builder-content-primary fl-builder-global-templates-locked" data-post-id="3721"><div class="fl-row fl-row-fixed-width fl-row-bg-none fl-node-5ce88b984b57b fl-row-default-height fl-row-align-center" data-node="5ce88b984b57b">
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	<p>After World War II several credit cards appeared. In the 50s Diners Club Card came out, which was accepted by several shops. And so the story continues until today.</p>
<p>The word credit comes from the Latin verb credere (believe), we believe religiously in this card!<br />
The economic model and with it, the credit card and the debt, define our financial transactions and the symbolic aspect of life.</p>
<p>I'm lying on the floor of the esplanade of the Museum, tied in different parts of my body with black strings. Both ends of the cord are knotted in holes of an authentic credit card. My eyes are blocked, my mouth is closed, my arms, legs and feet are tied in such a way that I can not move. At two meters distance on the floor there is a white cloth, with scissors and more strings. The spectators will be the active ones, they can tie me even more or free me with the scissors or do nothing ...</p>
<p>The final destination is not in my hands, I am at the total mercy of the spectators.</p>
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				<img decoding="async" width="1024" height="683" class="fl-photo-img wp-image-3726" src="https://janet-toro.com/wp-content/uploads/La-Tarjeta-2-1024x683.jpg" alt="La Tarjeta 2" title="La Tarjeta 2" loading="lazy" itemprop="image" srcset="https://janet-toro.com/wp-content/uploads/La-Tarjeta-2-1024x683.jpg 1024w, https://janet-toro.com/wp-content/uploads/La-Tarjeta-2-300x200.jpg 300w, https://janet-toro.com/wp-content/uploads/La-Tarjeta-2-768x512.jpg 768w" sizes="auto, (max-width: 1024px) 100vw, 1024px" />
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				<img decoding="async" width="4197" height="2811" class="fl-photo-img wp-image-4849" src="https://janet-toro.com/wp-content/uploads/La_Tarjeta_8.jpg" alt="La_Tarjeta_8" title="La_Tarjeta_8" loading="lazy" itemprop="image" />
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</div><p>The post <a href="https://janet-toro.com/la-tarjeta/">La Tarjeta</a> appeared first on <a href="https://janet-toro.com">JANET TORO</a>.</p>
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