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	<title>sven, Author at JANET TORO</title>
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	<description>Performances・Installations・Objects・Paintings</description>
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		<title>Elegy for a Disaster</title>
		<link>https://janet-toro.com/elegy-for-a-disaster/</link>
		
		<dc:creator><![CDATA[sven]]></dc:creator>
		<pubDate>Wed, 03 Sep 2025 20:31:04 +0000</pubDate>
				<category><![CDATA[performance]]></category>
		<guid isPermaLink="false">https://janet-toro.com/?p=7131</guid>

					<description><![CDATA[<p>Part I This performance is an exhortation, a cry in the face of the extermination of infants, babies, and children, a wake-up call, a prayer in the face of the Zionist genocide against the Palestinian people. In the desert landscape of the installation Requiem ad Calamitatem, I will prostrate myself on the salt, in silence. [&#8230;]</p>
<p>The post <a href="https://janet-toro.com/elegy-for-a-disaster/">Elegy for a Disaster</a> appeared first on <a href="https://janet-toro.com">JANET TORO</a>.</p>
]]></description>
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	<h4>Part I</h4>
<p>This performance is an exhortation, a cry in the face of the extermination of infants, babies, and children, a wake-up call, a prayer in the face of the Zionist genocide against the Palestinian people. In the desert landscape of the installation Requiem ad Calamitatem, I will prostrate myself on the salt, in silence. Later, I take papers wrapped in gauze from my belly—photocopies of infants—which I then place on the salt, which will also cover those faces terrorized by bombs and catastrophe.</p>
<h4>Part II</h4>
<p>As we leave the rotunda, many people follow me to the second floor, forming a procession. On the balcony of the museum's central hall, we display baby clothes and words alluding to genocide, such as: GENOCIDE, EXTERMINATION, HUNGER, THIRST, AGONY, ABANDONMENT, MASSACRE DISASTER, SADNESS, BITTERNESS, PAIN, DESTRUCTION, RUBBLE SEGREGATION, MASSACRE, COLONIALISM, INHUMANITY, CRUELTY, INJUSTICE, etc. Finally, we go down to the hall to meet the public.</p>
<p>&nbsp;</p>
<h4>Listado de participantes:</h4>
<p>Cam Castro, Catalina Carvajal, Fernanda Martínez, Josefa Román, Renata Araus, Joselyne Contreras, Javiera Saavedra, Sakin Orellana, Macarena Hidalgo, Daniela Berger, Javiera Roman, Catalina Aguila, Norma Tapia, Javiera San Martìn, Claudia Gutièrrez, Sunai Catepillan, Noemì Ceballos, Antonia Donoso, Francisca Fuentes, Florencia Svideski, Reno Mondaca, Aníbal López, Jacinta Errazuriz, Sebastián Reyes, Dani Vásquez, Anastasia Gasc, Fernanda Quintanilla, Bernardita Neira, Ari Morales, Cynthia Bustos, Ken Montenegro, Francisco Barnet, Sofìa Valenzuela, Sofìa Caldentey, Aracelli Tello, Miguel Lecaros, Marta Cruz, Jacqueline Martìnez, Isidora Garrido, Julia Carrasco, Eva Díaz, Valentina Borcoski, María Fernanda Toro, Guillermo Silva, Mane Adaro, Francis Asafram, Cathy Paiva, Yulissa Yanez, Catherine Moya, Paulina Acevedo, Andrea Verdugo, Melany Erazo, Ama Sepúlveda, Francisca Zuñiga, Beatriz Pèrez, Carla Gonzalez, Raquel Amar, Valentina Dìaz</p>
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</div><p>The post <a href="https://janet-toro.com/elegy-for-a-disaster/">Elegy for a Disaster</a> appeared first on <a href="https://janet-toro.com">JANET TORO</a>.</p>
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		<title>Requiem ad Calamitaten (Requiem for the Catastrophe)</title>
		<link>https://janet-toro.com/requiem-ad-calamitaten/</link>
		
		<dc:creator><![CDATA[sven]]></dc:creator>
		<pubDate>Sun, 17 Aug 2025 22:49:58 +0000</pubDate>
				<category><![CDATA[installation]]></category>
		<category><![CDATA[uncategorized]]></category>
		<guid isPermaLink="false">https://janet-toro.com/?p=7107</guid>

					<description><![CDATA[<p>Installation As part of the exhibition: "Janet Toro. Radical Intimacy. Overflows and Gestures," curated by Cecilia Fajardo-Hill National Production: Pamela Fuentes, Alejandra Rivera Mounting assistance: Adrián Gutierrez, Marcelo Céspedes, Mario Silva A requiem for the disaster, a requiem for ethnic cleansing, a requiem for the livid infants, pierced by bombs in the streets of Gaza, [&#8230;]</p>
<p>The post <a href="https://janet-toro.com/requiem-ad-calamitaten/">Requiem ad Calamitaten (Requiem for the Catastrophe)</a> appeared first on <a href="https://janet-toro.com">JANET TORO</a>.</p>
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										<content:encoded><![CDATA[<div class="fl-builder-content fl-builder-content-7107 fl-builder-content-primary fl-builder-global-templates-locked" data-post-id="7107"><div class="fl-row fl-row-fixed-width fl-row-bg-none fl-node-ybc2qmljhfko fl-row-default-height fl-row-align-center" data-node="ybc2qmljhfko">
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	<p>Installation As part of the exhibition: "Janet Toro. Radical Intimacy. Overflows and Gestures," curated by Cecilia Fajardo-Hill National</p>
<p>Production: Pamela Fuentes, Alejandra Rivera<br />
Mounting assistance: Adrián Gutierrez, Marcelo Céspedes, Mario Silva</p>
<p>A requiem for the disaster, a requiem for ethnic cleansing, a requiem for the livid infants, pierced by bombs in the streets of Gaza, from the geopolitics of barbarism and cruelty, in the atlas of contemporary Zionist colonialism. Funereal mathematics of global imperialist power, seduced by territorial wealth, mineral reserves, and the bacchanal of murder with its decorations.</p>
<p>We watch the catastrophe daily on screens that transmit atrocious images to us. We can turn off our devices, but they, those in the Middle East, cannot turn off the machinery of arms, they cannot turn off the armored bulldozers that plow through their homes, the siege of combat helicopters that fire their militaristic hatred from the skies, destroyed schools filled with waste, the blockade of humanitarian aid, destroyed plantations, food savaged, Zionist battalions fracturing hospitals, distorting bodies. Thus cementing the path to domination, suffocation and exclusion spring up in the iron ghetto that denies sunlight.</p>
<p>Home, the landscape, have changed drastically; ruins and rubble are now our shelter.</p>
<p>The genocide is an endless anguish. I can't find appropriate phrases that express the pain of witnessing extermination, the helplessness in the face of illegal occupation, the segregation, the forced displacement, the separation from children, the fragmented city, the confinement, the death traps in the streets, the control.</p>
<p>The scorn is endless; the atrocities are multiplying in occupied Palestine. We cannot remain silent when nearly 60,000 people have been killed, thousands more are injured, and thousands more remain missing beneath the rubble. "And one in four children under the age of 5 in Gaza is suffering from starvation" (Doctors Without Borders). Hunger used as a weapon of war. Malnourished bodies fall in the streets, starving mothers and their infants faint, while the blockade justifies the annihilation.</p>
<p>The life of a newborn and its mother should be sacred, but in the midst of the massacre, they are trivial; nothing matters to the fascists. To destroy everything, the very life of an entire people, that is the goal.</p>
<p>The suffering is beyond infinity. The girls and boys have been deflowered by thousands of perverse explosives. Destruction infiltrates everything, darkness permeates the skin, and bodies decompose, overwhelmed by fateful algorithms.</p>
<p>Souls lacerated in a burning sky, without god, without law, bodies contracted, broken by the systematic invasion. Mouths silenced by authoritarian orders, eyes blinded, beings crushed by the psychotic glorification of war.</p>
<p>Thousands wander toward the wall of exodus. Thousands flee the terror of the colonizers; thousands have had their water, their land, their homes, their gardens, their churches, their books, their pots, their relics stolen from them.</p>
<p>Hearts explode in the strategic equations of advanced drones, holographic/media warfare, and refined weaponry, proving their effectiveness on the defenseless population, on infants just entering this world. I have no words left, no adequate sentences to fully describe the horror. All I can do is create this icy silence.</p>
<p>&nbsp;</p>
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</div><p>The post <a href="https://janet-toro.com/requiem-ad-calamitaten/">Requiem ad Calamitaten (Requiem for the Catastrophe)</a> appeared first on <a href="https://janet-toro.com">JANET TORO</a>.</p>
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		<title>Sacra Notitia</title>
		<link>https://janet-toro.com/sacra-notitia/</link>
		
		<dc:creator><![CDATA[sven]]></dc:creator>
		<pubDate>Sun, 17 Aug 2025 22:24:19 +0000</pubDate>
				<category><![CDATA[installation]]></category>
		<guid isPermaLink="false">https://janet-toro.com/?p=7085</guid>

					<description><![CDATA[<p>Installation As part of the exhibition: "Janet Toro. Radical Intimacy. Overflows and Gestures," curated by Cecilia Fajardo-Hill National Production: Pamela Fuentes, Alejandra Rivera Mounting assistance: Adrián Gutierrez, Marcelo Céspedes, Mario Silva This installation takes the idea from the previous installation, Sacra Fames, from 2010, but transforms it with new elements and meaning. This time, inside [&#8230;]</p>
<p>The post <a href="https://janet-toro.com/sacra-notitia/">Sacra Notitia</a> appeared first on <a href="https://janet-toro.com">JANET TORO</a>.</p>
]]></description>
										<content:encoded><![CDATA[<div class="fl-builder-content fl-builder-content-7085 fl-builder-content-primary fl-builder-global-templates-locked" data-post-id="7085"><div class="fl-row fl-row-fixed-width fl-row-bg-none fl-node-2px6v5e8awil fl-row-default-height fl-row-align-center" data-node="2px6v5e8awil">
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	<p>Installation As part of the exhibition: "Janet Toro. Radical Intimacy. Overflows and Gestures," curated by Cecilia Fajardo-Hill National</p>
<p>Production: Pamela Fuentes, Alejandra Rivera<br />
Mounting assistance: Adrián Gutierrez, Marcelo Céspedes, Mario Silva</p>
<p>This installation takes the idea from the previous installation, Sacra Fames, from 2010, but transforms it with new elements and meaning. This time, inside a vintage television are marraquetas, Chilean daily bread, used as a popular source of information. A metaphor for false information restricted to neoliberal ideology. Chile ranks third in statistics with an average of six hours of television watching per day, enough time to be exposed to the influence of propaganda and media manipulation.</p>
<p>Regarding information, philosopher Byung-Chul Han, in his book "Infocracia: Digitalization and the Crisis of Democracy," tells us on page 81: "Information is additive and cumulative. Truth, on the other hand, is narrative and exclusive." And on page 82: "The crisis of truth is always a crisis of society. Without truth, society disintegrates internally. It is then held together only by external and instrumental economic relations."</p>
<p>Within the installation, an empty chair sits in a brackish space, the floor of which is composed of thick layers of salt, bordered in a circular pattern by white cobblestones.</p>
<p>Salt, a fundamental element for human life, plays an important role in physiological functions. Along with other elements, it conducts electricity. But here, the salt accumulated in this way leads us to a stark reality, a barren, white space that contrasts with the black canvas on the front wall, alluding to another, dark reality, one that doesn't appear in the information broadcast on television—a patterned incongruity where the truth is submerged in economic interests.</p>
<p>There are different historical meanings for salt. Egyptian priests urged people to sprinkle it on cities destroyed by wars and epidemics to ward off demons and evil. Salt also has negative connotations; in biblical writings it says that the wicked: "Let him be given a house in the desert and shelter in a salty land" (Job, 39, 6).</p>
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</div><p>The post <a href="https://janet-toro.com/sacra-notitia/">Sacra Notitia</a> appeared first on <a href="https://janet-toro.com">JANET TORO</a>.</p>
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		<title>Exhibition Radical Intimacy. Overflows and gestures, MNBA Santiago</title>
		<link>https://janet-toro.com/absence-presence-copy-copy/</link>
		
		<dc:creator><![CDATA[sven]]></dc:creator>
		<pubDate>Fri, 09 May 2025 17:11:58 +0000</pubDate>
				<category><![CDATA[news]]></category>
		<category><![CDATA[uncategorized]]></category>
		<guid isPermaLink="false">https://janet-toro.com/?p=7072</guid>

					<description><![CDATA[<p>Opening May 15 at 17:00 p.m. An exhibition that reviews the prominent Chilean artist's career between 1985 and 2025. Curated by Cecilia Fajardo-Hill, this retrospective brings together paintings, objects, and recordings of performances and installations to review the career of Janet Toro (Osorno, 1963) between 1985 and 2025. The artist began her career in 1985, [&#8230;]</p>
<p>The post <a href="https://janet-toro.com/absence-presence-copy-copy/">Exhibition Radical Intimacy. Overflows and gestures, MNBA Santiago</a> appeared first on <a href="https://janet-toro.com">JANET TORO</a>.</p>
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	<p><strong>Opening May 15 at 17:00 p.m.</strong></p>
<p>An exhibition that reviews the prominent Chilean artist's career between 1985 and 2025.</p>
<p>Curated by Cecilia Fajardo-Hill, this retrospective brings together paintings, objects, and recordings of performances and installations to review the career of Janet Toro (Osorno, 1963) between 1985 and 2025.</p>
<p>The artist began her career in 1985, painting and engraving, with works whose central motif was the human figure represented as a wounded and contorted body. From there, she shifted toward performance, because only through the living body was she able to intervene and attempt to directly transform hostile reality.</p>
<p>Her performative work has focused on addressing, through the body, events and their various forms of violence and oppression, both physical and symbolic. specifically political violence during the dictatorship, state and institutional violence, patriarchy, violence against women, and the violence of capitalism.</p>
<p>&nbsp;</p>
<p>More information:</p>
<p><a href="https://www.mnba.gob.cl/cartelera/janet-toro-intimidad-radical-desbordamientos-y-gestos">https://www.mnba.gob.cl/cartelera/janet-toro-intimidad-radical-desbordamientos-y-gestos</a></p>
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</div><p>The post <a href="https://janet-toro.com/absence-presence-copy-copy/">Exhibition Radical Intimacy. Overflows and gestures, MNBA Santiago</a> appeared first on <a href="https://janet-toro.com">JANET TORO</a>.</p>
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		<title>Exhibition La memoria en el cuerpo, MAC Santiago</title>
		<link>https://janet-toro.com/absence-presence-copy/</link>
		
		<dc:creator><![CDATA[sven]]></dc:creator>
		<pubDate>Sat, 08 Jul 2023 14:25:37 +0000</pubDate>
				<category><![CDATA[news]]></category>
		<guid isPermaLink="false">https://janet-toro.com/?p=6885</guid>

					<description><![CDATA[<p>Opening July 13 at 6:00 p.m. For this exhibition, the Chilean artist Janet Toro revisits two emblematic performances carried out immediately after the Military Dictatorship. This is La sangre, el río y el cuerpo (1990), presented on the banks of the Mapocho River, where the artist moves through the concepts of flow, water, blood, death, [&#8230;]</p>
<p>The post <a href="https://janet-toro.com/absence-presence-copy/">Exhibition La memoria en el cuerpo, MAC Santiago</a> appeared first on <a href="https://janet-toro.com">JANET TORO</a>.</p>
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	<p><strong>Opening July 13 at 6:00 p.m.</strong></p>
<p>For this exhibition, the Chilean artist Janet Toro revisits two emblematic performances carried out immediately after the Military Dictatorship.</p>
<p>This is <em>La sangre, el río y el cuerpo (1990)</em>, presented on the banks of the Mapocho River, where the artist moves through the concepts of flow, water, blood, death, memory and the body, lying naked on a canvas, and stain another with blood.</p>
<p>Also part of this exhibition is <em>El cuerpo de la memoria</em>, presented in 1999 for the II Biennial of Young Art - a series of 90 performances, developed between January and March of that year. Some of them were realized at places of torture, and others in a room of the National Museum of Fine Arts, where the biennial was taking place.</p>
<p>Through the exercise of sharing and making public part of the records of the artist's personal archive, which accounts for radical performance-installations made in an indolent and denialist social-political context, passages of our collective memory are removed.</p>
<p>&nbsp;</p>
<p>More information:</p>
<p><a href="https://janet-toro.com/1999-the-body-of-memory/">El cuerpo de la memoria</a></p>
<p><a href="https://janet-toro.com/1990-the-blood-the-river-and-the-body/">La sangre, el río y el cuerpo</a></p>
<p>&nbsp;</p>
<p><a href="https://50.cl/exhibicion-la-memoria-en-el-cuerpo/">https://50.cl/exhibicion-la-memoria-en-el-cuerpo/</a></p>
<p><a href="https://mac.uchile.cl/exposiciones/la-memoria-en-el-cuerpo/">https://mac.uchile.cl/exposiciones/la-memoria-en-el-cuerpo/</a></p>
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</div><p>The post <a href="https://janet-toro.com/absence-presence-copy/">Exhibition La memoria en el cuerpo, MAC Santiago</a> appeared first on <a href="https://janet-toro.com">JANET TORO</a>.</p>
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		<dc:creator><![CDATA[sven]]></dc:creator>
		<pubDate>Sun, 01 May 2022 18:15:56 +0000</pubDate>
				<category><![CDATA[Paintings]]></category>
		<guid isPermaLink="false">https://janet-toro.com/?p=6820</guid>

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		<guid isPermaLink="false">https://janet-toro.com/?p=6808</guid>

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		<title>Homage to Margarita Benavides R.</title>
		<link>https://janet-toro.com/homage_to_margarita_benavides/</link>
		
		<dc:creator><![CDATA[sven]]></dc:creator>
		<pubDate>Sun, 01 May 2022 16:31:13 +0000</pubDate>
				<category><![CDATA[Paintings]]></category>
		<guid isPermaLink="false">https://janet-toro.com/?p=6769</guid>

					<description><![CDATA[<p>The post <a href="https://janet-toro.com/homage_to_margarita_benavides/">Homage to Margarita Benavides R.</a> appeared first on <a href="https://janet-toro.com">JANET TORO</a>.</p>
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</div><p>The post <a href="https://janet-toro.com/homage_to_margarita_benavides/">Homage to Margarita Benavides R.</a> appeared first on <a href="https://janet-toro.com">JANET TORO</a>.</p>
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		<title>Homage to Reinalda Pereira</title>
		<link>https://janet-toro.com/homage_to_reinalda_pereira/</link>
		
		<dc:creator><![CDATA[sven]]></dc:creator>
		<pubDate>Sun, 01 May 2022 16:22:37 +0000</pubDate>
				<category><![CDATA[Paintings]]></category>
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					<description><![CDATA[<p>The post <a href="https://janet-toro.com/homage_to_reinalda_pereira/">Homage to Reinalda Pereira</a> appeared first on <a href="https://janet-toro.com">JANET TORO</a>.</p>
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</div><p>The post <a href="https://janet-toro.com/homage_to_reinalda_pereira/">Homage to Reinalda Pereira</a> appeared first on <a href="https://janet-toro.com">JANET TORO</a>.</p>
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