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	<title>Janet Toro, Author at JANET TORO</title>
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		<title>Desgarro</title>
		<link>https://janet-toro.com/desgarro/</link>
		
		<dc:creator><![CDATA[Janet Toro]]></dc:creator>
		<pubDate>Sat, 23 Mar 2024 23:57:48 +0000</pubDate>
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					<description><![CDATA[<p>We observe hell daily, in the media distance that surrounds us. How much more must happen to for us to awake from our lethargy? How many crimes, how much destruction must happen for us to say ENOUGH!? There are no possible words in the face of genocide, there are no appropriate phrases that are able [&#8230;]</p>
<p>The post <a href="https://janet-toro.com/desgarro/">Desgarro</a> appeared first on <a href="https://janet-toro.com">JANET TORO</a>.</p>
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	<p>We observe hell daily, in the media distance that surrounds us. How much more must happen to for us to awake from our lethargy? How many crimes, how much destruction must happen for us to say ENOUGH!?</p>
<p>There are no possible words in the face of genocide, there are no appropriate phrases that are able to draw the terror and the pain when observing the scattered limbs, embedded in the vertices of the debris.</p>
<p>Everything I can say is limited, due to the magnitude of the event, which opens the viscera in the cement and burst your eyes terrified by cruelty, from the atlas of interventionism.</p>
<p>The life of a newborn and its mother should be sacred, but in the midst of the horror of the massacre, It is an infinite tear, an incessant cry, that hurts us and consumes us in the comfortable routines of West.</p>
<p>A requiem for extermination, a requiem for disaster, a requiem for the collapse of humanity, a requiem for the livid bodies, for the faces in frozen rictus, crossed by the barbarism in Gaza and in other regions.</p>
<p>Darkness looms in the streets of Palestine, but also in the streets of the world. Are we blind? Blind that we cannot see the connection of the fibers that unite us? We place emphasis on the separation, in the distance.</p>
<p>How many screams are thrown into the void between the bullets, how many thirsty throats, stuffed with mud, do not. They can articulate a letter, a moan, and in that muteness, they succumb, without finding an answer, or a kiss that saves them from the predatory maelstrom?</p>
<p>How many hands remain clenched at the broken glass, which was previously the windows of their homes? Homes, and today are the sharp knives of eviction?</p>
<p>How many torsos will be nailed to the tiles of dilapidated buildings or burned sidewalks that abruptly transmuted the landscape forever?</p>
<p>How many girls/boys, elderly women, adults, adolescents wander wounded towards the wall? Urban exodus and annihilation?</p>
<p>Families search for their lost offspring, who hang by a thread from shaky rooftops. Tormented women who have seen their bellies burst, due to the immeasurable pain of loss resounding, while they madly nail their cries into the clouds of white phosphorus, which wither them and they mark them.</p>
<p>Souls lacerated in a burning sky, without god, without law, contracted souls, broken by the invasion systematic. Mouths muted by the camouflage of weapons hatred, eyes blinded, beings crushed by the psychotic glorification of war.</p>
<p>Funeral mathematics of world imperialist power, destroying, extinguishing every human cell, in every meter square, deny every gesture of life of the other ethnic group, the other race, the other creed, the other ideology, in territories that succumb to ambitious decorations and the bacchanal of murder.</p>
<p>Destruction floods everything, the birds no longer sing, they get stuck in the dust of the projectiles, while the cups, the cushions, the broken chairs, the clothes fly everywhere... in a chilling, mixed swing with arms, nails, hair, animals, plants.</p>
<p>The mockery has no end, the atrocities multiply on the occupied nation, the arteries are poisoned, muscles and blood with gases from select laboratories. The contemporary holocaust goes around and around overflowing, crushing the kind flowers of understanding. Darkness passes through the skin, and the bodies they decompose, run over by fateful algorithms.</p>
<p>The saliva is now scarlet and so are the tears, due to the suffering that goes beyond infinity. The Girls and boys have been deflowered by thousands of narcissistic explosives. The oppressors applaud the great feat of war technology, they take heroic selfies in other people's yards, showing off their invincible strength of the fascist battalion.</p>
<p>Thousands are fleeing the terror of the colonizers, thousands have had their water, land, their homes, their homes stolen. gardens, its churches, its books, its pots, its relics. Never again will the stars be hope, they have dissected all in the bestial arena of selfishness. How to revive and get out of the ashes? While the ambition fractures hills, hospitals and distorts bodies, cementing the route of domination, asphyxiation, exclusion in the iron ghetto that denies sunlight.</p>
<p>The bones come to the surface like fossil branches, the fragmented limbs, removed from their place, scattered like stones, they mark the path of infamy.</p>
<p>There will be no spring, everything has fallen into the scaffold, a cemetery of voices that will never again speak of love, nor tenderness. Bursting hearts in the strategic equations of advanced drones and refined weaponry, who test its effectiveness with derision, on the defenseless population.</p>
<p>There are no right words, no appropriate sentences, no lyrics that describe the deep tear that is embedded in the flesh, there is a stunned silence.</p>
<hr />
<p><strong>Essay about this work in <em>Ficcion de la razón</em> from Aldo Bombardiere:</strong></p>
<p><a href="https://ficciondelarazon.org/2024/03/18/aldo-bombardiere-castro-participar-en-palestina-reflexiones-a-partir-de-desgarro-instalacion-artistica-de-janet-toro/">https://ficciondelarazon.org/2024/03/18/aldo-bombardiere-castro-participar-en-palestina-reflexiones-a-partir-de-desgarro-instalacion-artistica-de-janet-toro/</a></p>
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</div><p>The post <a href="https://janet-toro.com/desgarro/">Desgarro</a> appeared first on <a href="https://janet-toro.com">JANET TORO</a>.</p>
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		<title>Lecture The body of memory at Goldsmiths University</title>
		<link>https://janet-toro.com/lecture-the-body-of-memory-goldsmiths/</link>
		
		<dc:creator><![CDATA[Janet Toro]]></dc:creator>
		<pubDate>Wed, 27 Dec 2023 17:07:05 +0000</pubDate>
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					<description><![CDATA[<p>https://www.gold.ac.uk</p>
<p>The post <a href="https://janet-toro.com/lecture-the-body-of-memory-goldsmiths/">Lecture The body of memory at Goldsmiths University</a> appeared first on <a href="https://janet-toro.com">JANET TORO</a>.</p>
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	<p><a href="https://www.gold.ac.uk/calendar/?id=14672">https://www.gold.ac.uk</a></p>
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</div><p>The post <a href="https://janet-toro.com/lecture-the-body-of-memory-goldsmiths/">Lecture The body of memory at Goldsmiths University</a> appeared first on <a href="https://janet-toro.com">JANET TORO</a>.</p>
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		<title>Exhibition The Body of memory, Peltz Gallery</title>
		<link>https://janet-toro.com/exhibition-body-of-memory-peltz-gallery/</link>
		
		<dc:creator><![CDATA[Janet Toro]]></dc:creator>
		<pubDate>Wed, 27 Dec 2023 13:52:33 +0000</pubDate>
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					<description><![CDATA[<p>https://www.bbk.ac.uk/research/centres/peltz-gallery/current-exhibition</p>
<p>The post <a href="https://janet-toro.com/exhibition-body-of-memory-peltz-gallery/">Exhibition The Body of memory, Peltz Gallery</a> appeared first on <a href="https://janet-toro.com">JANET TORO</a>.</p>
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	<p><a href="https://www.bbk.ac.uk/research/centres/peltz-gallery/current-exhibition">https://www.bbk.ac.uk/research/centres/peltz-gallery/current-exhibition</a></p>
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		<title>Bienal del Mercosur</title>
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		<dc:creator><![CDATA[Janet Toro]]></dc:creator>
		<pubDate>Fri, 24 Apr 2020 19:34:25 +0000</pubDate>
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					<description><![CDATA[<p>Feminine(S). visualities, actions and affects General curator Andrea Giunta The title of this biennial poses a question that points to the tension at the core of contemporary democratic culture: participation in society on the basis of “difference” understood— as Denise Ferreira da Silva puts it — as multiplicity rather than separation, as expressed by Denisse [&#8230;]</p>
<p>The post <a href="https://janet-toro.com/bienal-del-mercosur/">Bienal del Mercosur</a> appeared first on <a href="https://janet-toro.com">JANET TORO</a>.</p>
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<p><strong>Feminine(S). visualities, actions and affects</strong></p>
<p>General curator Andrea Giunta</p>
<p>The title of this biennial poses a question that points to the tension at the core of contemporary democratic culture: participation in society on the basis of “difference” understood— as Denise Ferreira da Silva puts it — as multiplicity rather than separation, as expressed by Denisse Ferreira da Silva...</p>
<p><a href="http://www.fundacaobienal.art.br/" data-mce-href="http://www.fundacaobienal.art.br/">http://www.fundacaobienal.art.br/</a><br /><a href="http://www.fundacaobienal.art.br/bienal-12-artistas/Janet-Toro" data-mce-href="http://www.fundacaobienal.art.br/bienal-12-artistas/Janet-Toro">http://www.fundacaobienal.art.br/bienal-12-artistas/Janet-Toro</a></p>
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<p>The post <a href="https://janet-toro.com/bienal-del-mercosur/">Bienal del Mercosur</a> appeared first on <a href="https://janet-toro.com">JANET TORO</a>.</p>
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		<title>El mar, la calle y las sillas</title>
		<link>https://janet-toro.com/el-mar-la-calle-y-las-sillas-the-ocean-the-street-and-the-seats/</link>
		
		<dc:creator><![CDATA[Janet Toro]]></dc:creator>
		<pubDate>Fri, 24 May 2019 20:35:27 +0000</pubDate>
				<category><![CDATA[installation]]></category>
		<guid isPermaLink="false">http://janet-toro.com/el-mar-la-calle-y-las-sillas-the-ocean-the-street-and-the-seats/</guid>

					<description><![CDATA[<p>This work consists in a large format installation that uses the city and its history as a starting point. The habour of Valparaíso retains a dark memory, sealed in implacable pacts. This is the starting point of this work, a reflection on the brutal secrets that the sea contains beneath its waves: the horror of [&#8230;]</p>
<p>The post <a href="https://janet-toro.com/el-mar-la-calle-y-las-sillas-the-ocean-the-street-and-the-seats/">El mar, la calle y las sillas</a> appeared first on <a href="https://janet-toro.com">JANET TORO</a>.</p>
]]></description>
										<content:encoded><![CDATA[<div class="fl-builder-content fl-builder-content-3526 fl-builder-content-primary fl-builder-global-templates-locked" data-post-id="3526"><div class="fl-row fl-row-fixed-width fl-row-bg-none fl-node-5c90d00b128df fl-row-default-height fl-row-align-center" data-node="5c90d00b128df">
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	<p>This work consists in a large format installation that uses the city and its history as a starting point. The habour of Valparaíso retains a dark memory, sealed in implacable pacts. This is the starting point of this work, a reflection on the brutal secrets that the sea contains beneath its waves: the horror of the bodies thrown from helicopters to the deep sea, the horror of the bodies tortured in various Navy ships.<br />
The sea is just a few meters from the Centex building, whose architecture with horizontal, white stripes was the support of this work.</p>
<p>This work consists of an installation on the façade of the aforementioned building, based on several black chairs, hanging separately, inverted; whose trajectories evoke a void, fallen human beings, absent human beings. Their tracks are getting lost within the coastal foam and is almost oblivion.</p>
<p>The chairs taken outside (imitating the custom of the inhabitants of Valparaiso, that use the facades of their houses as a canvas), are transformed here into an irritating element that intervenes the city.</p>
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</div><p>The post <a href="https://janet-toro.com/el-mar-la-calle-y-las-sillas-the-ocean-the-street-and-the-seats/">El mar, la calle y las sillas</a> appeared first on <a href="https://janet-toro.com">JANET TORO</a>.</p>
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		<title>Group exhibition Radical Women: Latin American Art 1960-1985</title>
		<link>https://janet-toro.com/gruppen-ausstellung-radical-women-lateinamerikanische-kunst-1960-1985/</link>
		
		<dc:creator><![CDATA[Janet Toro]]></dc:creator>
		<pubDate>Thu, 23 May 2019 18:20:35 +0000</pubDate>
				<category><![CDATA[news]]></category>
		<guid isPermaLink="false">http://janet-toro.com/gruppen-ausstellung-radical-women-lateinamerikanische-kunst-1960-1985/</guid>

					<description><![CDATA[<p>Photographic documentation of the Performance Dos preguntas (Two questions) Pinacoteca Sao Paulo, Brazil from 18th August to 19th November 2018 Curators Cecilia Fajardo-Hill and dr. Andrea Giunta Lecture by the artist on November 12, collaboration of the Pinacoteca and Art Museum of Sao Paulo, MASP. &#160;</p>
<p>The post <a href="https://janet-toro.com/gruppen-ausstellung-radical-women-lateinamerikanische-kunst-1960-1985/">Group exhibition Radical Women: Latin American Art 1960-1985</a> appeared first on <a href="https://janet-toro.com">JANET TORO</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>Photographic documentation of the Performance Dos preguntas (Two questions)</p>
<p>Pinacoteca Sao Paulo, Brazil</p>
<p>from 18th August to 19th November 2018</p>
<p>Curators Cecilia Fajardo-Hill and dr. Andrea Giunta</p>
<p>Lecture by the artist on November 12, collaboration of the Pinacoteca and Art Museum of Sao Paulo, MASP.</p>
<p>&nbsp;</p>
<p>The post <a href="https://janet-toro.com/gruppen-ausstellung-radical-women-lateinamerikanische-kunst-1960-1985/">Group exhibition Radical Women: Latin American Art 1960-1985</a> appeared first on <a href="https://janet-toro.com">JANET TORO</a>.</p>
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		<title>Gang</title>
		<link>https://janet-toro.com/gang-2013/</link>
		
		<dc:creator><![CDATA[Janet Toro]]></dc:creator>
		<pubDate>Tue, 19 Mar 2019 12:23:47 +0000</pubDate>
				<category><![CDATA[installation]]></category>
		<guid isPermaLink="false">http://janet-toro.com/?p=2839</guid>

					<description><![CDATA[<p>In the frame of 17th Chapter, We will be-Episode of transition.</p>
<p>The post <a href="https://janet-toro.com/gang-2013/">Gang</a> appeared first on <a href="https://janet-toro.com">JANET TORO</a>.</p>
]]></description>
										<content:encoded><![CDATA[<div class="fl-builder-content fl-builder-content-2839 fl-builder-content-primary fl-builder-global-templates-locked" data-post-id="2839"><div class="fl-row fl-row-fixed-width fl-row-bg-none fl-node-5c90defd65d4d fl-row-default-height fl-row-align-center" data-node="5c90defd65d4d">
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	<p>In the frame of 17th Chapter, <em>We will be-Episode of transition.</em></p>
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</div><p>The post <a href="https://janet-toro.com/gang-2013/">Gang</a> appeared first on <a href="https://janet-toro.com">JANET TORO</a>.</p>
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		<title>Serie Dunkel</title>
		<link>https://janet-toro.com/2007-serie-dark/</link>
		
		<dc:creator><![CDATA[Janet Toro]]></dc:creator>
		<pubDate>Thu, 28 Feb 2019 18:17:52 +0000</pubDate>
				<category><![CDATA[art objects]]></category>
		<guid isPermaLink="false">http://janet-toro.com/?p=682</guid>

					<description><![CDATA[<p>This Serie consists of 2 objects: Grief: Light object of paper, wrapped into copies of true stories of victims of neo-nazis. The Law: Shoes of  cow leather withwrapped in texts of the german constitution of 1919.</p>
<p>The post <a href="https://janet-toro.com/2007-serie-dark/">Serie Dunkel</a> appeared first on <a href="https://janet-toro.com">JANET TORO</a>.</p>
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										<content:encoded><![CDATA[<div class="fl-builder-content fl-builder-content-682 fl-builder-content-primary fl-builder-global-templates-locked" data-post-id="682"><div class="fl-row fl-row-fixed-width fl-row-bg-none fl-node-5cef1254a5577 fl-row-default-height fl-row-align-center" data-node="5cef1254a5577">
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	<p>This<span lang="en"> Serie consists of 2 objects: </span></p>
<p><strong>Grief:</strong> Light object of paper, wrapped into copies of true stories of victims of neo-nazis.<br />
<strong>The Law:</strong> Shoes of  cow leather withwrapped in texts of the german constitution of 1919.</p>
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</div><p>The post <a href="https://janet-toro.com/2007-serie-dark/">Serie Dunkel</a> appeared first on <a href="https://janet-toro.com">JANET TORO</a>.</p>
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		<title>Meine zweite Heimat</title>
		<link>https://janet-toro.com/2007-my-second-homeland/</link>
		
		<dc:creator><![CDATA[Janet Toro]]></dc:creator>
		<pubDate>Thu, 28 Feb 2019 18:17:07 +0000</pubDate>
				<category><![CDATA[art objects]]></category>
		<guid isPermaLink="false">http://janet-toro.com/?p=680</guid>

					<description><![CDATA[<p>A Series of 10 Objects: Ode to the bread roll, Elegy to the hunger, Fair, Allotment, Ode to the cake, Ode to the beer, Elegy to the excess, Germany-Love, Ode to the licorice, The salami tie.</p>
<p>The post <a href="https://janet-toro.com/2007-my-second-homeland/">Meine zweite Heimat</a> appeared first on <a href="https://janet-toro.com">JANET TORO</a>.</p>
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	<p><span lang="en">A Series of 10 Objects:</span></p>
<p>Ode to the bread roll, Elegy to the hunger, Fair, Allotment, Ode to the cake, Ode to the beer, Elegy to the excess, Germany-Love, Ode to the licorice, The salami tie.</p>
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				<img decoding="async" width="1024" height="717" class="fl-photo-img wp-image-3414" src="https://janet-toro.com/wp-content/uploads/Kleingarten-1024x717.jpg" alt="Kleingarten" title="Kleingarten" loading="lazy" itemprop="image" srcset="https://janet-toro.com/wp-content/uploads/Kleingarten-1024x717.jpg 1024w, https://janet-toro.com/wp-content/uploads/Kleingarten-300x210.jpg 300w, https://janet-toro.com/wp-content/uploads/Kleingarten-768x537.jpg 768w" sizes="auto, (max-width: 1024px) 100vw, 1024px" />
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				<img decoding="async" width="482" height="967" class="fl-photo-img wp-image-3417" src="https://janet-toro.com/wp-content/uploads/Salami-Krawatte.A-jpg.jpg" alt="Salami-Krawatte.A jpg" title="Salami-Krawatte.A jpg" loading="lazy" itemprop="image" srcset="https://janet-toro.com/wp-content/uploads/Salami-Krawatte.A-jpg.jpg 482w, https://janet-toro.com/wp-content/uploads/Salami-Krawatte.A-jpg-150x300.jpg 150w" sizes="auto, (max-width: 482px) 100vw, 482px" />
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</div><p>The post <a href="https://janet-toro.com/2007-my-second-homeland/">Meine zweite Heimat</a> appeared first on <a href="https://janet-toro.com">JANET TORO</a>.</p>
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		<title>Medals and Decorations</title>
		<link>https://janet-toro.com/2007-medals-and-decorations/</link>
		
		<dc:creator><![CDATA[Janet Toro]]></dc:creator>
		<pubDate>Thu, 28 Feb 2019 18:16:16 +0000</pubDate>
				<category><![CDATA[art objects]]></category>
		<guid isPermaLink="false">http://janet-toro.com/?p=678</guid>

					<description><![CDATA[<p>There are 15 different objects, whose central point is a medal or medal to the authentic Nazi value, transformed and ironized by means of elements of everyday life. 1. Decorating Potato cutter, metal, 19 x 5 cm 2. Decorating Pizza Cutters, metal 20 x 9 cm 3. Decorating Strainer, metal, 18 x 7 cm 4. [&#8230;]</p>
<p>The post <a href="https://janet-toro.com/2007-medals-and-decorations/">Medals and Decorations</a> appeared first on <a href="https://janet-toro.com">JANET TORO</a>.</p>
]]></description>
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	<p>There are 15 different objects, whose central point is a medal or medal to the authentic Nazi value, transformed and ironized by means of elements of everyday life.<br />
1. Decorating Potato cutter, metal, 19 x 5 cm<br />
2. Decorating Pizza Cutters, metal 20 x 9 cm<br />
3. Decorating Strainer, metal, 18 x 7 cm<br />
4. Beater Decoration, metal, 25 x 7 cm<br />
5. Decoration Hairpins, metal, cloth, 13 x 11 cm.<br />
6. Decoration Pinches of hair, metal, fabric, 13 x 11 cm<br />
7. Decorating Tea strainer, metal, cloth, 12 x 12 cm.<br />
8. Medal of honor Needle with Head, metal 14 x 11 cm.<br />
9. Medal of honor Plain, metal, wood, silver threads, 25 x 13 cm.<br />
10. Medal of Honor Mouse Trap, wood, shoulder rattle, 15 x 15 cm.<br />
11. Medal of honor Thong, genre, copper paint<br />
12. Medal of honor High-heeled shoes, shoes, paars, wood, fabric, paint / copper, 24 x 10 x 9 cm<br />
13. Medal of honor Shopping bag, shoulder pads, plastic, cord, threads, 24 x 18 cm<br />
14. Medal of honor Sponge<br />
15. Decoration The black nylon body puppet, with a medal tied with nails at chest height. of<br />
Thigh area hanging 12 black threads. Developed between 2007 and 2010, Measures 48 x 200 cm</p>
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				<img decoding="async" width="768" height="1024" class="fl-photo-img wp-image-3456" src="https://janet-toro.com/wp-content/uploads/Die-Marionette-2007--768x1024.jpg" alt="Orden und Ehrenzeichen" title="Die Marionette 2007" loading="lazy" itemprop="image" srcset="https://janet-toro.com/wp-content/uploads/Die-Marionette-2007--768x1024.jpg 768w, https://janet-toro.com/wp-content/uploads/Die-Marionette-2007--225x300.jpg 225w, https://janet-toro.com/wp-content/uploads/Die-Marionette-2007-.jpg 960w" sizes="auto, (max-width: 768px) 100vw, 768px" />
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</div><p>The post <a href="https://janet-toro.com/2007-medals-and-decorations/">Medals and Decorations</a> appeared first on <a href="https://janet-toro.com">JANET TORO</a>.</p>
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