<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>uncategorized Archives - JANET TORO</title>
	<atom:link href="https://janet-toro.com/category/uncategorized-en/feed/" rel="self" type="application/rss+xml" />
	<link>https://janet-toro.com/category/uncategorized-en/</link>
	<description>Performances・Installations・Objects・Paintings</description>
	<lastBuildDate>Wed, 03 Sep 2025 21:53:50 +0000</lastBuildDate>
	<language>en-US</language>
	<sy:updatePeriod>
	hourly	</sy:updatePeriod>
	<sy:updateFrequency>
	1	</sy:updateFrequency>
	<generator>https://wordpress.org/?v=6.8.5</generator>
	<item>
		<title>Requiem ad Calamitaten (Requiem for the Catastrophe)</title>
		<link>https://janet-toro.com/requiem-ad-calamitaten/</link>
		
		<dc:creator><![CDATA[sven]]></dc:creator>
		<pubDate>Sun, 17 Aug 2025 22:49:58 +0000</pubDate>
				<category><![CDATA[installation]]></category>
		<category><![CDATA[uncategorized]]></category>
		<guid isPermaLink="false">https://janet-toro.com/?p=7107</guid>

					<description><![CDATA[<p>Installation As part of the exhibition: "Janet Toro. Radical Intimacy. Overflows and Gestures," curated by Cecilia Fajardo-Hill National Production: Pamela Fuentes, Alejandra Rivera Mounting assistance: Adrián Gutierrez, Marcelo Céspedes, Mario Silva A requiem for the disaster, a requiem for ethnic cleansing, a requiem for the livid infants, pierced by bombs in the streets of Gaza, [&#8230;]</p>
<p>The post <a href="https://janet-toro.com/requiem-ad-calamitaten/">Requiem ad Calamitaten (Requiem for the Catastrophe)</a> appeared first on <a href="https://janet-toro.com">JANET TORO</a>.</p>
]]></description>
										<content:encoded><![CDATA[<div class="fl-builder-content fl-builder-content-7107 fl-builder-content-primary fl-builder-global-templates-locked" data-post-id="7107"><div class="fl-row fl-row-fixed-width fl-row-bg-none fl-node-ybc2qmljhfko fl-row-default-height fl-row-align-center" data-node="ybc2qmljhfko">
	<div class="fl-row-content-wrap">
						<div class="fl-row-content fl-row-fixed-width fl-node-content">
		
<div class="fl-col-group fl-node-ja3ts5deupvl" data-node="ja3ts5deupvl">
			<div class="fl-col fl-node-1z6hix9jceo4 fl-col-bg-color" data-node="1z6hix9jceo4">
	<div class="fl-col-content fl-node-content"><div  class="fl-module fl-module-rich-text fl-rich-text fl-node-2tm4rpyq67sx" data-node="2tm4rpyq67sx">
	<p>Installation As part of the exhibition: "Janet Toro. Radical Intimacy. Overflows and Gestures," curated by Cecilia Fajardo-Hill National</p>
<p>Production: Pamela Fuentes, Alejandra Rivera<br />
Mounting assistance: Adrián Gutierrez, Marcelo Céspedes, Mario Silva</p>
<p>A requiem for the disaster, a requiem for ethnic cleansing, a requiem for the livid infants, pierced by bombs in the streets of Gaza, from the geopolitics of barbarism and cruelty, in the atlas of contemporary Zionist colonialism. Funereal mathematics of global imperialist power, seduced by territorial wealth, mineral reserves, and the bacchanal of murder with its decorations.</p>
<p>We watch the catastrophe daily on screens that transmit atrocious images to us. We can turn off our devices, but they, those in the Middle East, cannot turn off the machinery of arms, they cannot turn off the armored bulldozers that plow through their homes, the siege of combat helicopters that fire their militaristic hatred from the skies, destroyed schools filled with waste, the blockade of humanitarian aid, destroyed plantations, food savaged, Zionist battalions fracturing hospitals, distorting bodies. Thus cementing the path to domination, suffocation and exclusion spring up in the iron ghetto that denies sunlight.</p>
<p>Home, the landscape, have changed drastically; ruins and rubble are now our shelter.</p>
<p>The genocide is an endless anguish. I can't find appropriate phrases that express the pain of witnessing extermination, the helplessness in the face of illegal occupation, the segregation, the forced displacement, the separation from children, the fragmented city, the confinement, the death traps in the streets, the control.</p>
<p>The scorn is endless; the atrocities are multiplying in occupied Palestine. We cannot remain silent when nearly 60,000 people have been killed, thousands more are injured, and thousands more remain missing beneath the rubble. "And one in four children under the age of 5 in Gaza is suffering from starvation" (Doctors Without Borders). Hunger used as a weapon of war. Malnourished bodies fall in the streets, starving mothers and their infants faint, while the blockade justifies the annihilation.</p>
<p>The life of a newborn and its mother should be sacred, but in the midst of the massacre, they are trivial; nothing matters to the fascists. To destroy everything, the very life of an entire people, that is the goal.</p>
<p>The suffering is beyond infinity. The girls and boys have been deflowered by thousands of perverse explosives. Destruction infiltrates everything, darkness permeates the skin, and bodies decompose, overwhelmed by fateful algorithms.</p>
<p>Souls lacerated in a burning sky, without god, without law, bodies contracted, broken by the systematic invasion. Mouths silenced by authoritarian orders, eyes blinded, beings crushed by the psychotic glorification of war.</p>
<p>Thousands wander toward the wall of exodus. Thousands flee the terror of the colonizers; thousands have had their water, their land, their homes, their gardens, their churches, their books, their pots, their relics stolen from them.</p>
<p>Hearts explode in the strategic equations of advanced drones, holographic/media warfare, and refined weaponry, proving their effectiveness on the defenseless population, on infants just entering this world. I have no words left, no adequate sentences to fully describe the horror. All I can do is create this icy silence.</p>
<p>&nbsp;</p>
</div>
</div>
</div>
	</div>
		</div>
	</div>
</div>
<div class="fl-row fl-row-fixed-width fl-row-bg-none fl-node-2zp6ys91t3xn fl-row-default-height fl-row-align-center" data-node="2zp6ys91t3xn">
	<div class="fl-row-content-wrap">
						<div class="fl-row-content fl-row-fixed-width fl-node-content">
		
<div class="fl-col-group fl-node-pzwyeux106s8" data-node="pzwyeux106s8">
			<div class="fl-col fl-node-c3as0uhfeg4k fl-col-bg-color" data-node="c3as0uhfeg4k">
	<div class="fl-col-content fl-node-content"><div class="fl-module fl-module-gallery fl-node-nhs72w5lba6f" data-node="nhs72w5lba6f">
	<div class="fl-module-content fl-node-content">
		<div class="fl-mosaicflow">
	<div role="list" class="fl-mosaicflow-content">
				<div class="fl-mosaicflow-item">
			<div role="figure" class="fl-photo fl-photo-align-center" itemscope itemtype="https://schema.org/ImageObject">
	<div class="fl-photo-content fl-photo-img-jpg">
				<a href="https://janet-toro.com/wp-content/uploads/Requiem-ad-Calamitatem-MNBA-3-Janet-Toro-2025.jpg"  target="_self" itemprop="url">
				<img decoding="async" width="2161" height="1634" class="fl-photo-img wp-image-7111" src="https://janet-toro.com/wp-content/uploads/Requiem-ad-Calamitatem-MNBA-3-Janet-Toro-2025.jpg" alt="Requiem ad Calamitatem MNBA 3 Janet Toro 2025" title="Requiem ad Calamitatem MNBA 3 Janet Toro 2025" loading="lazy" itemprop="image" />
				</a>
					</div>
	</div>
		</div>
				<div class="fl-mosaicflow-item">
			<div role="figure" class="fl-photo fl-photo-align-center" itemscope itemtype="https://schema.org/ImageObject">
	<div class="fl-photo-content fl-photo-img-jpg">
				<a href="https://janet-toro.com/wp-content/uploads/Requiem-ad-Calamitatem-MNBA-1-Janet-Toro-2025.jpg"  target="_self" itemprop="url">
				<img decoding="async" width="1996" height="1819" class="fl-photo-img wp-image-7108" src="https://janet-toro.com/wp-content/uploads/Requiem-ad-Calamitatem-MNBA-1-Janet-Toro-2025.jpg" alt="Requiem ad Calamitatem MNBA 1 Janet Toro 2025" title="Requiem ad Calamitatem MNBA 1 Janet Toro 2025" loading="lazy" itemprop="image" />
				</a>
					</div>
	</div>
		</div>
				<div class="fl-mosaicflow-item">
			<div role="figure" class="fl-photo fl-photo-align-center" itemscope itemtype="https://schema.org/ImageObject">
	<div class="fl-photo-content fl-photo-img-jpg">
				<a href="https://janet-toro.com/wp-content/uploads/Requiem-ad-Calamitatem-MNBA-2-Janet-Toro-2025.jpg"  target="_self" itemprop="url">
				<img decoding="async" width="2445" height="2269" class="fl-photo-img wp-image-7114" src="https://janet-toro.com/wp-content/uploads/Requiem-ad-Calamitatem-MNBA-2-Janet-Toro-2025.jpg" alt="Requiem ad Calamitatem MNBA 2 Janet Toro 2025" title="Requiem ad Calamitatem MNBA 2 Janet Toro 2025" loading="lazy" itemprop="image" />
				</a>
					</div>
	</div>
		</div>
			</div role=&quot;list&quot;>
	<div class="fl-clear"></div>
</div>
	</div>
</div>
</div>
</div>
	</div>
		</div>
	</div>
</div>
</div><p>The post <a href="https://janet-toro.com/requiem-ad-calamitaten/">Requiem ad Calamitaten (Requiem for the Catastrophe)</a> appeared first on <a href="https://janet-toro.com">JANET TORO</a>.</p>
]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>Exhibition Radical Intimacy. Overflows and gestures, MNBA Santiago</title>
		<link>https://janet-toro.com/absence-presence-copy-copy/</link>
		
		<dc:creator><![CDATA[sven]]></dc:creator>
		<pubDate>Fri, 09 May 2025 17:11:58 +0000</pubDate>
				<category><![CDATA[news]]></category>
		<category><![CDATA[uncategorized]]></category>
		<guid isPermaLink="false">https://janet-toro.com/?p=7072</guid>

					<description><![CDATA[<p>Opening May 15 at 17:00 p.m. An exhibition that reviews the prominent Chilean artist's career between 1985 and 2025. Curated by Cecilia Fajardo-Hill, this retrospective brings together paintings, objects, and recordings of performances and installations to review the career of Janet Toro (Osorno, 1963) between 1985 and 2025. The artist began her career in 1985, [&#8230;]</p>
<p>The post <a href="https://janet-toro.com/absence-presence-copy-copy/">Exhibition Radical Intimacy. Overflows and gestures, MNBA Santiago</a> appeared first on <a href="https://janet-toro.com">JANET TORO</a>.</p>
]]></description>
										<content:encoded><![CDATA[<div class="fl-builder-content fl-builder-content-7072 fl-builder-content-primary fl-builder-global-templates-locked" data-post-id="7072"><div class="fl-row fl-row-fixed-width fl-row-bg-none fl-node-9q4jokxl1nyf fl-row-default-height fl-row-align-center" data-node="9q4jokxl1nyf">
	<div class="fl-row-content-wrap">
						<div class="fl-row-content fl-row-fixed-width fl-node-content">
		
<div class="fl-col-group fl-node-cubiz8ehnlvd" data-node="cubiz8ehnlvd">
			<div class="fl-col fl-node-73bl25q4vncy fl-col-bg-color" data-node="73bl25q4vncy">
	<div class="fl-col-content fl-node-content"><div class="fl-module fl-module-rich-text fl-node-lgy4ez98cw7v" data-node="lgy4ez98cw7v">
	<div class="fl-module-content fl-node-content">
		<div class="fl-rich-text">
	<p><strong>Opening May 15 at 17:00 p.m.</strong></p>
<p>An exhibition that reviews the prominent Chilean artist's career between 1985 and 2025.</p>
<p>Curated by Cecilia Fajardo-Hill, this retrospective brings together paintings, objects, and recordings of performances and installations to review the career of Janet Toro (Osorno, 1963) between 1985 and 2025.</p>
<p>The artist began her career in 1985, painting and engraving, with works whose central motif was the human figure represented as a wounded and contorted body. From there, she shifted toward performance, because only through the living body was she able to intervene and attempt to directly transform hostile reality.</p>
<p>Her performative work has focused on addressing, through the body, events and their various forms of violence and oppression, both physical and symbolic. specifically political violence during the dictatorship, state and institutional violence, patriarchy, violence against women, and the violence of capitalism.</p>
<p>&nbsp;</p>
<p>More information:</p>
<p><a href="https://www.mnba.gob.cl/cartelera/janet-toro-intimidad-radical-desbordamientos-y-gestos">https://www.mnba.gob.cl/cartelera/janet-toro-intimidad-radical-desbordamientos-y-gestos</a></p>
</div>
	</div>
</div>
</div>
</div>
	</div>
		</div>
	</div>
</div>
</div><p>The post <a href="https://janet-toro.com/absence-presence-copy-copy/">Exhibition Radical Intimacy. Overflows and gestures, MNBA Santiago</a> appeared first on <a href="https://janet-toro.com">JANET TORO</a>.</p>
]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>El llamado de la muerte</title>
		<link>https://janet-toro.com/el-llamado-de-la-muerte/</link>
		
		<dc:creator><![CDATA[sven]]></dc:creator>
		<pubDate>Wed, 20 Apr 2022 18:04:52 +0000</pubDate>
				<category><![CDATA[Paintings]]></category>
		<category><![CDATA[uncategorized]]></category>
		<guid isPermaLink="false">https://janet-toro.com/el-llamado-de-la-muerte/</guid>

					<description><![CDATA[<p>The post <a href="https://janet-toro.com/el-llamado-de-la-muerte/">El llamado de la muerte</a> appeared first on <a href="https://janet-toro.com">JANET TORO</a>.</p>
]]></description>
										<content:encoded><![CDATA[<div class="fl-builder-content fl-builder-content-6389 fl-builder-content-primary fl-builder-global-templates-locked" data-post-id="6389"><div class="fl-row fl-row-full-width fl-row-bg-none fl-node-td26mjlce5og fl-row-default-height fl-row-align-top" data-node="td26mjlce5og">
	<div class="fl-row-content-wrap">
						<div class="fl-row-content fl-row-fixed-width fl-node-content">
		
<div class="fl-col-group fl-node-c23fo0z9eh41" data-node="c23fo0z9eh41">
			<div class="fl-col fl-node-egu4a3vqnz8s fl-col-bg-color fl-col-small" data-node="egu4a3vqnz8s">
	<div class="fl-col-content fl-node-content"></div>
</div>
			<div class="fl-col fl-node-z8i4nu0p6yqs fl-col-bg-color" data-node="z8i4nu0p6yqs">
	<div class="fl-col-content fl-node-content"><div class="fl-module fl-module-photo fl-node-fa23qu0sjxdc" data-node="fa23qu0sjxdc">
	<div class="fl-module-content fl-node-content">
		<div role="figure" class="fl-photo fl-photo-align-center" itemscope itemtype="https://schema.org/ImageObject">
	<div class="fl-photo-content fl-photo-img-jpg">
				<a href="https://janet-toro.com/wp-content/uploads/El-llamado-de-la-muerte.jpg" target="_self" itemprop="url">
				<img decoding="async" class="fl-photo-img wp-image-5865 size-full" src="https://janet-toro.com/wp-content/uploads/El-llamado-de-la-muerte.jpg" alt="El llamado de la muerte" height="1215" width="927" title="El llamado de la muerte"  itemprop="image" />
				</a>
					</div>
	</div>
	</div>
</div>
</div>
</div>
	</div>
		</div>
	</div>
</div>
</div><p>The post <a href="https://janet-toro.com/el-llamado-de-la-muerte/">El llamado de la muerte</a> appeared first on <a href="https://janet-toro.com">JANET TORO</a>.</p>
]]></content:encoded>
					
		
		
			</item>
	</channel>
</rss>

<!--
Performance optimized by W3 Total Cache. Learn more: https://www.boldgrid.com/w3-total-cache/

Page Caching using Redis 
Database Caching using Redis

Served from: janet-toro.com @ 2026-04-05 21:04:13 by W3 Total Cache
-->